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This week I reviewed not one, but two vampire flicks, Paul Weitz's
Cirque du Freak: The Vampire's Assistant and Patrick McGuinn's gay-bloodsucker fantasia,
Eulogy for a Vampire. But as much fun as the undead can be, audiences would be better off skipping the pair altogether and taking in Hong Sang-soo's
Night and Day, catching up with Elia Kazan's 1960 masterpiece
Wild River, playing in a week-long run at Film Forum, or Netflixing Shohei Imamura's new-to-DVD
Black Rain. Also in review,
The Wedding Song.
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