This week I reviewed not one, but two vampire flicks, Paul Weitz's Cirque du Freak: The Vampire's Assistant and Patrick McGuinn's gay-bloodsucker fantasia, Eulogy for a Vampire. But as much fun as the undead can be, audiences would be better off skipping the pair altogether and taking in Hong Sang-soo's Night and Day, catching up with Elia Kazan's 1960 masterpiece Wild River, playing in a week-long run at Film Forum, or Netflixing Shohei Imamura's new-to-DVD Black Rain. Also in review, The Wedding Song.
Wednesday, October 21, 2009
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