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My only first-run film review this week deals with the disappointing documentary
Kassim the Dream about a former Ugandan child soldier who became a boxing success in the United States. Of more interest are two repertory items I covered:
The Moon and the Sledgehammer, Philip Trevelyan's forgotten look at a family living a pre-modern life just 20 miles outside of London, which is playing for a week at the
Anthology Film Archives, and Tod Browning's comic change-of-pace
Mark of the Vampire, screening tonight at
Film Forum in a double bill with the director's intriguingly macabre
West of Zanzibar.
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